For this project I engaged in the following:
-creation of 'technologies' to generate movement, text, image, sound
-observation of the material
-correlation of material through accumulation / over-layer
-editing
-creation of 'technologies' to generate movement, text, image, sound
-observation of the material
-correlation of material through accumulation / over-layer
-editing
Broadly, the approach I am adopting as a means for improvisation and composition is focused on interruptions, gaps and glitches to interject linearity of movement and thought. In the practice this blog reflects, I deal with misinformation, lack of information or disinformation as tools to undo common understandings and generate personal ones by filling the gaps.
I have addressed the dialogue between movement and thought by designing and practicing tasks aimed at taking myself outside of my comfort zone by perpetually provoking changes in my attention, bouncing it from internal to external stimuli. In some cases this is achieved by interrupting the flow of though and movement, creating physical and emotional glitches by guiding to multitask so far I lose overview of what I am doing or thinking about, or by leading into journeys of imagination in which to root my physical experiences while performing.
In relation to changes, I have in the meantime discovered an attraction to the idea of metamorphoses and begun to explore the concept of feedback-loop and the possibilities this presents through the engagement with multiple mediums.
FEEDBACK LOOP OF AN ATE is part of a practice in which collaboration is an integral part. The project starts as an experiment with myself and is evolving into a series of virtual encounters envisioning elements of contradiction, feedback-loop and metamorphoses to emerge.
My intentions have been of playing with perception of different layers as fictions, mediated, or happening in real-life; deceiving the audience from a clear linearity or narrative; concealing some of intentions behind the operations in order to explore the potential that dialogue between different mediums hold in generating new meaning beyond that which is carried by the content of word or image.